Monday, November 18, 2013

E minor Pentatonic

It is said that when Prometheus was stealing fire from the Gods, he also grabbed the pentatonic scale for the expressed intent of making guitar players very happy. The 5 note pentatonic scale is an incredibly useful scale. Because the scale removes the "trouble" notes (4th and 7th), the happy guitarist can bang away at the remaining notes without fear of "wrong" sounding notes.

Another great feature of the scale is it's universal sonic qualities. Technically it is a minor scale, but it is equally effective playing over Major sounding chord progressions.

|Em / / / | Am / / / |
Try the scale over these minor chords and you will hear how it smoothly connects with the minor quality of the chords. A song like "Wish You Were Here" by Pink Floyd is a good illustration of how a minor progression and the minor pentatonic scale work hand-in hand.

|E / / / | A / / / |
When using major chords and the minor pentatonic scale you tend to get more of a bluesy sound. Jimi Hendrix was masterful at combining major blues progressions and using the minor pentatonic to get down and dirty.

For our more advanced (or adventurous) players, here is a cool pattern that makes use of descending groups of 4 notes within the scale. Patterns such as this one helps to get a lot of mileage from the 5 note scale.





















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