One of the most recognizable melodies in all of music, Ode to Joy is the theme of the 4th movement of Beethoven's triumphant 9th symphony. While not originally played on the guitar, it adapts well as a device to help us with the notes on the first 2 strings.
Review Notes on the 1st string
Review notes on the 2nd string
You will notice that with the melody, I have included some chords along the top of each line. These chords can be played as an accompaniment to the melody. A few of the chords I have labeled as *alternate chords, this means that these chords sound nice but are not essential. You can stay on the C chord during these chords and it will work out just fine.
This piece also introduces eighth notes in the melody. If we use the quarter note as our beat, the eighth note gets half of a beat. In foot tapping that means the notes happen when we tap AND lift our foot. At slower tempos, you should play these all as downstrokes.
Our objective is to play this in duets, small groups and as a class.
Review notes on the 2nd string
You will notice that with the melody, I have included some chords along the top of each line. These chords can be played as an accompaniment to the melody. A few of the chords I have labeled as *alternate chords, this means that these chords sound nice but are not essential. You can stay on the C chord during these chords and it will work out just fine.
This piece also introduces eighth notes in the melody. If we use the quarter note as our beat, the eighth note gets half of a beat. In foot tapping that means the notes happen when we tap AND lift our foot. At slower tempos, you should play these all as downstrokes.
Our objective is to play this in duets, small groups and as a class.
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