This brings me to the point of this post:
Understanding transposition will help you out when those other options are either not appropriate or unavailable (hey, I forgot my capo!)
Let's take a simple chord progression in the key of G:
G-C-G-D
Perfect. Simple, a few primary chords. We'll we need to understand the relationship of the chords to the key and each other. We do that by thinking of the key of G and numbering the notes of the scale (these numbers will also correspond to the chords we build on those scale degrees).
G-A-B- C- D-E- F#-G
I- ii-iii-IV-V-vi-vii- I
You will notice that I am using Roman numerals. These are the standard for music analysis. They are helpful because they have an uppercase and lowercase. Uppercase for Major and lowercase for minor.
Let's look ate that chord progression again with Roman numerals...
G-C-G-D
I- IV-I-V
Once I know the chord numbers, I can move them to any key I want.
Observe...
The Key of A
A-D-A-E
I- IV-I-V
The Key of D
D-G-D-A
I-IV- I- V
Here is a Handy Chart of Keys and how they notes and chords in those keys are related:
I | ii | iii | IV | V | vi | vii | I |
C | D | E | F | G | A | B | C |
F | G | A | Bb | C | D | E | F |
G | A | B | C | D | E | F# | G |
D | E | F# | G | A | B | C# | D |
A | B | C# | D | E | F# | G# | A |
E | F# | G# | A | B | C# | D# | E |
B | C# | D# | E | F# | G# | A# | B |
Bb | C | D | Eb | F | G | A | Bb |
Eb | F | G | Ab | Bb | C | D | Eb |
Ab | Bb | C | Db | Eb | F | G | Ab |
Db | Eb | F | Gb | Ab | Bb | C | Db |
Remember, uppercase Roman numerals represent Major Chords and lowercase represents minor Chords. If the the chord is a 7th, you can add that next to the number as well.
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